1. WoZ demonstration of movement-based audio player.
MusicBottles by Tangible Media Group
I/O Brush by Tangible Media Group
Tech Tap by PEGA design
Just Draw It by PEGA Design
2025年3月22日 星期六
week 6. metaphor
MusicBottles by Tangible Media Group
I/O Brush by Tangible Media Group
Tech Tap by PEGA design
Just Draw It by PEGA Design
2025年3月16日 星期日
week 5. form review
1. form review (EX3) extended to next week
2. feature interaction designer: Dan Saffer
Shake to change:
Reference:
Designing Gestural Interfaces by Dan Saffer
2. feature interaction designer: Dan Saffer
Tap is the New Click from Dan Saffer
LightCube: Gesture-controlled light that can be used in different ways:
MeCaMInD (Movement-based Cards for Interaction Design)
(https://mecamind.eu/documents/Cards_MovementMethods.pdf)Movement-based methods for music player design practice:
1. Soma-Slowstorming
(1) pickup an object and intuitively apply a movement on it
(2) Redo with very slow speed, notice your inner experience
(3) Try other qualities of movement (slow vs. fast, light vs. strong, free vs. bound, one-focus vs. multi-foci)
2. Bodystorming with Props
(1) choose one or more objects
(2) bodystroming with objects, demonstrating music paly, stop, next song, volume up...
3. Brain Walk
(1) Based on the above practice, walk and write down ideas
(2) collect your ideas as well as others' ideas
4. Mockups for Movement Design
5. Build & Describe
(1) use one page advertisement
(2) highlight your movement design feature of music player
Shake to change:
Kyary Pamyu Pamyu ♪ Ninjya Re Bang Bang ☆ au CM Making!
Reference:
Designing Gestural Interfaces by Dan Saffer
2025年3月8日 星期六
week 4. form practice and gestural interaction
Digital Photo Printer re-design from Jasper Dekker on Vimeo.
SWYP: See What You Print from Artefact on Vimeo.
https://www.artefactgroup.com/work/swyp/
http://www.ludwigrensch.com/paper-a-printer-you-actually-want
Re-designing printers:
Berg Little Printer
Paperang Portable thermal printer
Reflexive printer from Benforest on Vimeo.
Dispensing with words
Foam Core
Movement Practice: (for Music Player)
MeCaMInD (Movement-based Cards for Interaction Design)
(https://mecamind.eu/documents/Cards_MovementMethods.pdf)I. Movement Method 7 : Explore Movement:
Step by step
1. Pick a modifier from Modifing Movement (pick one from 4 LMA dimensions).
2. Pick one or more props.
3. Play with the props inspired by the modifier.
II. Movement Methods 14: Brain Walk
Step by step
1. Write one idea on each post-it
2. Place the post-its near you.
3. Take a few steps and repeat steps 1-3.
III. Movement Method 23: Object Theatre
Step by step
1. Pick a scene that you want to roleplay.
2. Choose or assign different roles to the participants (roles can be both actors and objects).
3. Play out the scene or scenario. The participants must only focus on the perspective of their role.
2025年3月2日 星期日
week 3. form making
1.
(original paper in IJDesign by Rung-Tai Lin)
2.
3.
persuasive design
4. A hierarchy of consumer needs by P. Jordan:
(image from http://www.sciencedirect.com/science/article/pii/S1369702103012239)
5. Timo Arnall: A form vocabulary for RFID
(nearfield.org)
6.
"Forms in various materials invite touch and manipulation"
Retrieved from interactions
7.
siteless book sample page
8.
Retrieved from "Move to get moved"
9.
1. How to design simple forms for rich interaction? (including movement-centric, social interaction, self-expression, etc.)
2. What's the relationship between movement and form? Can we think "movement" without form?
3. What kind of form is suitable for movement?
4. Echoing "tangible interaction = form + computing" by Mark Baskinger and Mark Gross, if "tangibility = movement + form", how can Tangibility be explored?
5. Affordance: restriction or hint?
Practice:
regarding "functionality" of a music player, pick up 8 representative forms on the above siteless sample page for 8 Effort qualities of LMA. Draw 8 sketches based on the above forms and corresponding movements.
Retrieved from "Move to get moved"
Retrieved from "interactions"
EX3:(2025/3/18) (2025/3/25)
make a physical model of a music player
(reference: http://ciid.dk/education/portfolio/idp12/courses/tangible-user-interface/projects/)
Reference: Chapter 4 in Designing Gestural Interfaces (check e-book in library.ntust.edu.tw)
(reference: http://www.trendhunter.com/slideshow/ipod-alternatives)
https://www.slideshare.net/jazzliang/tangible-interaction-2011-spring
(original paper in IJDesign by Rung-Tai Lin)
2.
3.
persuasive design
4. A hierarchy of consumer needs by P. Jordan:
(image from http://www.sciencedirect.com/science/article/pii/S1369702103012239)
5. Timo Arnall: A form vocabulary for RFID
(nearfield.org)
6.
"Forms in various materials invite touch and manipulation"
Retrieved from interactions
7.
siteless book sample page
8.
Retrieved from "Move to get moved"
9.
xxx
tapTap from Andy Huntington on Vimeo.
Algo.Rhythm from Huaishu on Vimeo.
Algo.Rhythm: computational thinking through tangible music device
1. How to design simple forms for rich interaction? (including movement-centric, social interaction, self-expression, etc.)
2. What's the relationship between movement and form? Can we think "movement" without form?
3. What kind of form is suitable for movement?
4. Echoing "tangible interaction = form + computing" by Mark Baskinger and Mark Gross, if "tangibility = movement + form", how can Tangibility be explored?
5. Affordance: restriction or hint?
Practice:
regarding "functionality" of a music player, pick up 8 representative forms on the above siteless sample page for 8 Effort qualities of LMA. Draw 8 sketches based on the above forms and corresponding movements.
Retrieved from "Move to get moved"
"Re-routed Radio" projects by industrial design students (a) Nadeem Haidary, (b) Josh Finkle, and (c) Gavin Stewart. These music players were designed to establish new forms of interaction using standard electronics combined with non-traditional materials and expressive physical forms.
The Hit Me interac
-
tive lighting device responds
to touch with an LED display. It
affords various interactions with
the hand. Designed by Carnegie
Mellon students Henry Julier,
Justin Rheinfrank, Amanda Ip,
and Michael Cruz-Restrepo;
directed by Kees Overbeeke
(TU/e). Image source: www.hen
-
ryjulier.com
Retrieved from "interactions"
EX3:
make a physical model of a music player
(reference: http://ciid.dk/education/portfolio/idp12/courses/tangible-user-interface/projects/)
(reference: http://ciid.dk/education/portfolio/idp18/courses/physical-computing/projects/)
show the picture of this model, and analyze according to LMA and gesture patterns (proximity to activate/deactivate, point to activate, rotate to change state, shake to change state...)
perform the movement on the music player with Wizard of Oz method (Bluetooth speakers needed)
show the picture of this model, and analyze according to LMA and gesture patterns (proximity to activate/deactivate, point to activate, rotate to change state, shake to change state...)
perform the movement on the music player with Wizard of Oz method (Bluetooth speakers needed)
document how you design with "movement-based methods"
Reference: Chapter 4 in Designing Gestural Interfaces (check e-book in library.ntust.edu.tw)
(reference: http://www.trendhunter.com/slideshow/ipod-alternatives)
https://www.slideshare.net/jazzliang/tangible-interaction-2011-spring
2025年2月20日 星期四
week 2. movement as expression (EX2)
Simplicity in interaction design
Fonckel by Philip Ross
Ross original paper
dancerail
Alarm clock anticipates sleepers’ emotions
original paper DIS 2002
The emotionally expressive Key Table
physicality of things
Questions:
1. What is expression? What is designer's expression? What is user's expression?
2. What is interaction?
3. What is tangible interaction?
4. manipulation vs. expression
5. tool vs. material
6. embodied interaction
7. what are the contrasts of movements?
Fonckel by Philip Ross
dancerail
Alarm clock anticipates sleepers’ emotions
original paper DIS 2002
The emotionally expressive Key Table
physicality of things
Questions:
1. What is expression? What is designer's expression? What is user's expression?
2. What is interaction?
3. What is tangible interaction?
4. manipulation vs. expression
5. tool vs. material
6. embodied interaction
7. what are the contrasts of movements?
Butoh (舞踏) as an example of expression of movement (note how contrasts shape the expression)
Music, form, and mutual contrast Practice:
1.
2.
3.
4.
5.
6.
7.
8.
9.
Practice in class:
Draw lines to represent the music form in mutual contrasts
Reference:
Designing Behavior in Interaction: Using Aesthetic Experience as a Mechanism for Design
EX2: (March 11, 2025)
propose at least 4 sets of mutual contrasts of movement
Give form of movement to each set of contrasts
Music, form, and mutual contrast Practice:
1.
2.
3.
4.
5.
6.
7.
8.
9.
Practice in class:
Draw lines to represent the music form in mutual contrasts
Reference:
Designing Behavior in Interaction: Using Aesthetic Experience as a Mechanism for Design
EX2: (March 11, 2025)
propose at least 4 sets of mutual contrasts of movement
Give form of movement to each set of contrasts
2025年2月15日 星期六
week 1. introduction
Introduction to Tangible Interaction
References 參考文獻:
1.Caroline Hummels, Kees C. Overbeeke, and Sietske Klooster. 2007. Move to get moved: a search for methods, tools and knowledge to design for expressive and rich movement-based interaction.Personal Ubiquitous Comput. 11, 8 (December 2007), 677-690.
2. Baskinger & Gross, "Tangible = Form + Computing", Interactions, 2010.
3. Heekyoung Jung and Erik Stolterman. 2010. Material probe: exploring materiality of digital artifacts. In Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction (TEI '11). ACM, New York, NY, USA, 153-156.
Similar courses & project sites:
CIID interaction design program
References 參考文獻:
1.Caroline Hummels, Kees C. Overbeeke, and Sietske Klooster. 2007. Move to get moved: a search for methods, tools and knowledge to design for expressive and rich movement-based interaction.Personal Ubiquitous Comput. 11, 8 (December 2007), 677-690.
2. Baskinger & Gross, "Tangible = Form + Computing", Interactions, 2010.
3. Heekyoung Jung and Erik Stolterman. 2010. Material probe: exploring materiality of digital artifacts. In Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction (TEI '11). ACM, New York, NY, USA, 153-156.
Similar courses & project sites:
CIID interaction design program
https://www.ciid.dk/
MIT Tangible Media Group
Newcastle University Culture Lab
EX1: (2025/3/4)
TOY Probes:
1. collect at least 3 interesting toys (or products) with expressive tangible quality.
2. bring 1 (or more) toy to the classroom for discussion.
3. make your own toy probes, with analysis of the "movements" in each toy.
Contents:
計分方式:
個人作業(作品、口頭報告、課堂討論) 60%
期末專題(分組) 40%
Homework Upload:
MIT Tangible Media Group
Newcastle University Culture Lab
EX1: (2025/3/4)
TOY Probes:
1. collect at least 3 interesting toys (or products) with expressive tangible quality.
2. bring 1 (or more) toy to the classroom for discussion.
3. make your own toy probes, with analysis of the "movements" in each toy.
Contents:
1. Interaction Design Theory (1/3)
2. Sensors & Lab (1/3)
3. Project (1/3)
學習內容:
1. 互動設計基本概論 (1/3)
2. 感測器原理與實作 (1/3)
3. 互動設計專案討論 (1/3)
Grading:
1. 互動設計基本概論 (1/3)
2. 感測器原理與實作 (1/3)
3. 互動設計專案討論 (1/3)
Grading:
Personal homework (assignments, oral presentation, discussion) 60%
Final project (in team) 40%
計分方式:
個人作業(作品、口頭報告、課堂討論) 60%
期末專題(分組) 40%
Homework Upload:
Please upload slides (pptx or pdf) to Google drive (folder: 作業一0919)
Name your file with your school ID number
作業上傳注意事項:
請在 課程google drive 作業一0304資料夾下上傳投影片
請用學號作為檔案名稱
請在 課程google drive 作業一0304資料夾下上傳投影片
請用學號作為檔案名稱
2023年12月9日 星期六
week 15. final project discussion
Final Project: (deadline: 12/19, 2023)
1. 1~2 人一組
2. 主題: 以體感動作為主的實體聲音互動裝置
3. 現場展示，可先預錄影片，用影片示範
期末發表:
1. 每組準備十分鐘 pptx (或 keynote) 演講。
內容包含:
作品名稱，
組員，
概念，
作品設計，
情境，
動作分析，
功能，
隱喻，
過程中之草圖，
完成支機構圖 (爆炸圖)，
產品情境圖，
操作動作圖示，
示範影片(一分鐘以內)。 (不限於以上項目)
2. 現場問答 (三分鐘)
訂閱：
文章 (Atom)