MusicBottles by Tangible Media Group
I/O Brush by Tangible Media Group
Tech Tap by PEGA design
Just Draw It by PEGA Design
2021年3月29日 星期一
week 6. metaphor
MusicBottles by Tangible Media Group
I/O Brush by Tangible Media Group
Tech Tap by PEGA design
Just Draw It by PEGA Design
2021年3月22日 星期一
week 5. form review
1. form review (EX3)
2. feature interaction designer: Dan Saffer
Shake to change:
Reference:
Designing Gestural Interfaces by Dan Saffer
2. feature interaction designer: Dan Saffer
Shake to change:
Kyary Pamyu Pamyu ♪ Ninjya Re Bang Bang ☆ au CM Making!
Reference:
Designing Gestural Interfaces by Dan Saffer
2021年3月15日 星期一
week 4. form practice and gestural interaction
Digital Photo Printer re-design from Jasper Dekker on Vimeo.
SWYP: See What You Print from Artefact on Vimeo.
https://www.artefactgroup.com/work/swyp/
http://www.ludwigrensch.com/paper-a-printer-you-actually-want
Re-designing printers:
Berg Little Printer
Paperang Portable thermal printer
Reflexive printer from Benforest on Vimeo.
Dispensing with words
Foam Core
2021年3月8日 星期一
week 3. form making
1.
(original paper in IJDesign by Rung-Tai Lin)
2.
3.
persuasive design
4. A hierarchy of consumer needs by P. Jordan:
(image from http://www.sciencedirect.com/science/article/pii/S1369702103012239)
5. Timo Arnall: A form vocabulary for RFID
(nearfield.org)
6.
"Forms in various materials invite touch and manipulation"
Retrieved from interactions
7.
siteless book sample page
8.
Retrieved from "Move to get moved"
9.
1. How to design simple forms for rich interaction? (including movement-centric, social interaction, self-expression, etc.)
2. What's the relationship between movement and form? Can we think "movement" without form?
3. What kind of form is suitable for movement?
4. Echoing "tangible interaction = form + computing" by Mark Baskinger and Mark Gross, if "tangibility = movement + form", how can Tangibility be explored?
5. Affordance: restriction or hint?
Practice:
regarding "functionality" of a music player, pick up 8 representative forms on the above siteless sample page for 8 Effort qualities of LMA. Draw 8 sketches based on the above forms and corresponding movements.
Retrieved from "Move to get moved"
Retrieved from "interactions"
EX3: (2021/3/23)
make a physical model of a music player
(reference: http://ciid.dk/education/portfolio/idp12/courses/tangible-user-interface/projects/)
(original paper in IJDesign by Rung-Tai Lin)
2.
3.
persuasive design
4. A hierarchy of consumer needs by P. Jordan:
(image from http://www.sciencedirect.com/science/article/pii/S1369702103012239)
5. Timo Arnall: A form vocabulary for RFID
(nearfield.org)
6.
"Forms in various materials invite touch and manipulation"
Retrieved from interactions
7.
siteless book sample page
8.
Retrieved from "Move to get moved"
9.
xxx
tapTap from Andy Huntington on Vimeo.
Algo.Rhythm from Huaishu on Vimeo.
Problems:1. How to design simple forms for rich interaction? (including movement-centric, social interaction, self-expression, etc.)
2. What's the relationship between movement and form? Can we think "movement" without form?
3. What kind of form is suitable for movement?
4. Echoing "tangible interaction = form + computing" by Mark Baskinger and Mark Gross, if "tangibility = movement + form", how can Tangibility be explored?
5. Affordance: restriction or hint?
Practice:
regarding "functionality" of a music player, pick up 8 representative forms on the above siteless sample page for 8 Effort qualities of LMA. Draw 8 sketches based on the above forms and corresponding movements.
Retrieved from "Move to get moved"
"Re-routed Radio" projects by industrial design students (a) Nadeem Haidary, (b) Josh Finkle, and (c) Gavin Stewart. These music players were designed to establish new forms of interaction using standard electronics combined with non-traditional materials and expressive physical forms.
The Hit Me interac
-
tive lighting device responds
to touch with an LED display. It
affords various interactions with
the hand. Designed by Carnegie
Mellon students Henry Julier,
Justin Rheinfrank, Amanda Ip,
and Michael Cruz-Restrepo;
directed by Kees Overbeeke
(TU/e). Image source: www.hen
-
ryjulier.com
Retrieved from "interactions"
EX3: (2021/3/23)
make a physical model of a music player
(reference: http://ciid.dk/education/portfolio/idp12/courses/tangible-user-interface/projects/)
(reference: http://ciid.dk/education/portfolio/idp18/courses/physical-computing/projects/)
show the picture of this model on an A2 poster, and analyze according to LMA and gesture patterns (proximity to activate/deactivate, point to activate, rotate to change state, shake to change state...)
perform the movement on the music player with Wizard of Oz method (Bluetooth speakers needed)
Reference: Chapter 4 in Designing Gestural Interfaces
(reference: http://www.trendhunter.com/slideshow/ipod-alternatives)
https://www.slideshare.net/jazzliang/tangible-interaction-2011-spring
show the picture of this model on an A2 poster, and analyze according to LMA and gesture patterns (proximity to activate/deactivate, point to activate, rotate to change state, shake to change state...)
perform the movement on the music player with Wizard of Oz method (Bluetooth speakers needed)
Reference: Chapter 4 in Designing Gestural Interfaces
(reference: http://www.trendhunter.com/slideshow/ipod-alternatives)
https://www.slideshare.net/jazzliang/tangible-interaction-2011-spring
2021年3月1日 星期一
week 2. movement as expression (EX2)
Simplicity in interaction design
Fonckel by Philip Ross
Ross original paper
dancerail
Alarm clock anticipates sleepers’ emotions
original paper DIS 2002
The emotionally expressive Key Table
physicality of things
Kees Overbeeke
1. What is expression? What is designer's expression? What is user's expression?
2. What is interaction?
3. What is tangible interaction?
4. manipulation vs. expression
5. tool vs. material
6. embodied interaction
7. what are the contrasts of movements?
Music, form, and mutual contrast Practice:
1.
2.
3.
4.
5.
6.
7.
8.
9.
Practice in class:
Draw lines to represent the music form in mutual contrasts
Reference:
Designing Behavior in Interaction: Using Aesthetic Experience as a Mechanism for Design
EX2: (March 16, 2021)
propose at least 4 sets of mutual contrasts of movement
Give form of movement for each set of contrasts
Fonckel by Philip Ross
dancerail
Alarm clock anticipates sleepers’ emotions
original paper DIS 2002
The emotionally expressive Key Table
physicality of things
Kees Overbeeke
1. What is expression? What is designer's expression? What is user's expression?
2. What is interaction?
3. What is tangible interaction?
4. manipulation vs. expression
5. tool vs. material
6. embodied interaction
7. what are the contrasts of movements?
Music, form, and mutual contrast Practice:
1.
2.
3.
4.
5.
6.
7.
8.
9.
Practice in class:
Draw lines to represent the music form in mutual contrasts
Reference:
Designing Behavior in Interaction: Using Aesthetic Experience as a Mechanism for Design
EX2: (March 16, 2021)
propose at least 4 sets of mutual contrasts of movement
Give form of movement for each set of contrasts
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